American graphic artist. Bradley’s work drew on the contrasting influences of William Morris and Aubrey Beardsley and his illustrations were among the earliest examples of American Art Nouveau. Trained as a wood engraver in the mid -1880s, he turned to line engraving as his first technique became obsolete. His covers for the Chicago journal Inland Printer in 1894 established him as an exponent of the new style, and he gained widespread acclaim for his posters for another Chicago publication, The Chap Book. In 1895 he returned to his birthplace Massachusetts, where he turned to traditional printing methods, the result being his own periodical Bradley: His Book. He exhibited work at the Paris gallery of Siegfried Bing in 1895, but by 1900 his career was in decline and thereafter he worked largely in commercial printing and type design.